Showing posts with label Detroit Comedy. Show all posts
Showing posts with label Detroit Comedy. Show all posts



Before moving to Los Angeles and scoring a hit Comedy Central show, “Key & Peele” with Jordan Peele, Keegan-Michael Key spent a childhood in Detroit.

While the city is best known around the U.S. for its auto industry and Motown hits, its 673,000 residents also know it as a buzzing center for contemporary culture outside of the country’s main coastal metropolises, with a history spanning hundreds of years that continues to flavor each neighborhood and main thoroughfare.

Movies like “Detroit” and, years ago, “8 Mile” may have highlighted darker aspects of the city, which some may still know chiefly for landscapes of ruin. But Key would like to point out that, in 2017, Detroit might surprise a lot of would-be visitors. “It’s just not as dangerous as you think it is. It’s not the wild, wild West,” he told HuffPost. We spoke to the comedian about what it was like growing up in Detroit ahead of our reporting stop in the city, which you can learn more about here.

Read on for Key’s memories of his Detroit neighborhood, his rave review of the Detroit Institute of Arts and thoughts the city’s promisingly bright future.


Are there any misconceptions about Detroit you’d like to dispel?

I’m trying to think of the most positive way to say this. You’re hearing a lot about Detroit. I think there are people who still believe that parts of Detroit are still like the wild, wild West. If anything, I would refute that claim and say that Detroit, if anything, now is more of an empty canvas. And what I would like us to do as civic leaders and people who live in the communities, in the neighborhoods, to embolden themselves for these communities, and say, “Let’s put some of the paint on that canvas away from downtown.” Somewhere more out in the neighborhoods. Because it’s the infrastructure of the neighborhoods that I think now we need to pay more attention to. Lots of people are spending lots of money and paying lots of attention to the downtown area. And that’s all well and good. I think that’s great. There’s this kind of central column in the downtown area and in our northern downtown area, but once you get about a quarter of a mile away from that downtown area, we still have some of the challenges we had even when I was a kid. I think that’s something we need to address.

Another misconception is, we are Detroiters, and we are Midwesterners. Some of the friendliest, friendliest people you’re going to meet are going to be in Detroit. You and I both probably hold pride as Michiganders, being people from the North. We’re very kind, and we’ll sit and have a conversation with you. I think we’re met with the energy that we put out. You’ll find in Detroit, if you come with an open heart, we’ll just as soon accept and embrace you. I think having been the butt of jokes for so many years, you know, “Don’t go to Detroit without a gun!” Everybody used to have the T-shirts that used to say, “Detroit: Where the weak are killed and eaten.” It’s so funny because we’re one of the first places in the United States of America that experienced branding. It wasn’t good branding, but it was branding. I think in the last 30 years, we’ve turned it around, so the branding is positive.

There are places to venture out in the city. You can go to the West side and find a really cool Middle Eastern restaurant, or go downtown and find really great soul food. I’ve been hearing more and more ― which just fills my heart with love and joy ― people say, “Yeah, I went to Detroit last year. It was fantastic! I loved it there.” But I also want people to explore places that they can find out in the neighborhoods. We need more of that. Listen, I think ― and maybe this isn’t super popular ― I think a little bit of gentrification is OK for any community. But you don’t want any community to lose its identity altogether. Another thing I would say is: It’s weird that in this country, the way you denote there’s some form of progress is if there’s a Starbucks in your neighborhood. I’ll go to Starbucks and get my coffee, but I’d love to go to Tommy and Tanisha’s coffee shop on Griswold so I’m supporting local people.

And people don’t understand when they come to Detroit, it’s not that we were a music town. We are a music town. We are an art town. We boast one of the greatest art institutes on planet Earth. We hold some of the masters in our art museum and it’s unbelievable. I think everybody should take the opportunity, if they’re going to the Midwest, go to Detroit, Michigan, and go to the crown jewel of our city, the diamond that is the biggest piece of our civic pride, is that museum.

It’s just not as dangerous as you think it is. It’s not the wild, wild West. There aren’t bullets flying everywhere. It just isn’t that place anymore.

Click HERE For The Full Article!



And then following the text is this totally amazing wedding photo.

Click HERE for the full article and true story behind this photo!


Unless you were born yesterday or just moved here from Brooklyn to open an art studio, all Detroiters should know who Mort Crim is. Even if you weren't around during his heyday, you should probably pick up the White Stripes' "Elephant" album and listen to "Little Acorns."

Crim anchored the nightly news on WDIV alongside Carmen Harlan from 1978 to 1997, where he retired. But before landing in Detroit, Crim anchored Philadelphia news broadcasts with Jessica Savitch, the tragic reporter whose career was cut short after a fatal car crash in 1983.

Click HERE for the full article!



DETROIT (BLANK) CITY - Ep. 2 DETROIT DIAMOND CITY from Cass Corridor Films on Vimeo.



Hello,

I am writing today to discuss what I believe may be one of the largest sporting scandals in Detroit history, and have hope that Dunkin Donuts and Comerica Park will do the right thing before it becomes a media circus. I have had a 28 game package for the Detroit Tigers for the past 2 years now and attend even more games than that per season (including playoffs). My section is 147, which places me strictly in the "Cuppy Coffee" section of the Dunkin Donuts Race. Throughout the past two years, I can count on one hand the amount of times Cuppy has come through and won this race. What was simply a fun event at the ballpark became a minor annoyance and now is turning into a white whale. Do I want the free donut or coffee that comes with winning the donut race? No, that is not what this is about at all. This is about competitive equity.

It isn't that Cuppy Coffee doesn't win, Biggie Bagel also is constantly falling behind as well. Dashing Donut is miles ahead of its competition when it comes to consistently winning this race. Perhaps this is why the race is called the Dunkin "Donuts" race, because of the excessive number of wins by Dashing Donut. I firmly suspect that Dashing Donut is on performance enhancers. While yes, you could assert that Dashing Donut is fast because of a natural "sugar high," the same argument could be used for Cuppy Coffee's "caffeine buzz" and yet we do not see those kind of results. An investigation would be in order so that we can get the Donut into a rehabilitation program before he (she?) ruins their life. The well-being of all competitors should be looked after first.

I trust that your respective corporations will do the right thing in this instance for the athletes. In the meantime, I will still shout for my Tiger's Phil Coke, Jeff Kunkel, and Miguel Cabrera while cheering loudly for Cuppy Coffee.

Click HERE to read the equally, if not more hilarious comments....

Photo Of The Day. Happy Friday!







"Mom was worried about my trip to Detroit, I sent her this picture."





Go Comedy! Improv Theatre welcomes the film Litterbug to its Thursday night lineup during the month of July. The original film by Detroit filmmaker Mikey Brown will play at 9pm immediately following the Go Comedy! original production Space Fight. Tickets ($10 for the night or $5 per show) are available online at www.gocomedy.net, by calling 248-327-0575, or in person beginning at 7pm Wednesday – Sunday at the Go Comedy! box office.

Performances of Space Fight and screenings of Litterbug will continue through July 29.

Litterbug

An independent film shot in Detroit using almost no grid electricity, Litterbug premiered in March at the Burton Theatre, Detroit as part of the first annual Detroit Independent Film Festival. With the goal of making a feature movie spending no money, using no grid electricity, creating no garbage and on a tight three month deadline, the film was a true experiment in radical green production. This 87 minute comedy features some of Detroit’s best actors and improvisers and a soundtrack provided by a dozen Detroit bands and electronic musicians.

“Camera batteries, editing laptop batteries, and video monitor batteries were charged using human pedal power. In fact, I lost 10 pounds during production,” said Mikey Brown, the film’s writer, director and cast member (Brown plays Bug, the film’s lead character). Brown, a Detroit based filmmaker and musician, has directed dozens of short films and commercials, and the cult feature, Garage: A Rock Saga. His YouTube webisode, Ced n Teri, received raves from fans and critics alike and spawned the 2009 Detroit-Wilder Award-winning stage show A Very Ced n Teri Xmas at the Planet Ant Theatre.


The story follows Bug who has been performing his original, electronic music and video art at dance clubs and parties for almost a decade. But don’t call him a DJ. Feeling middle-age approaching he takes one last stab at taking his music career to the next level by signing with a new manager who has some unconventional ideas. Meanwhile the cynical and self-absorbed Bug feigns interest in the Green movement to win the love of Layla, an environmental activist. Along the way he learns a lot about green living, has some run-ins with the law and tries to finally decide what to do with his life.

Litterbug will continue screenings at Go Comedy! through July 29.

Space Fight


Written by Go Comedy! resident members Jen Hansen (Madison Heights) and Pete Jacokes (Ferndale), Space Fight takes a unique look at the “Star Wars” story exploring the politics of the Empire, the grass roots campaign of the Rebellion, and the emotional struggles of Darth Vader, while poking fun at the ridiculousness of one of the world’s most beloved sci-fi sagas. This hilarious show will entertain die-hard fans as well as those who have never seen the films.

Directed by Jacokes with assistance from Hansen, Space Fight features Tim Kay (Ann Arbor) Sean May (East Point) Matt Naas (Ferndale) Travis Pelto (Canton) Chris Petersen (Ann Arbor) and Bob Wieck (Wixom).

Tickets ($10 for the night or $5 per show) are available online at www.gocomedy.net, by calling
248-327-0575, or in person beginning at 7pm Wednesday – Sunday at the Go Comedy! box office.

Get out your dictionaries and prepare for a H-I-L-A-R-I-O-U-S night at the UDM Theatre Company’s and the Marygrove College Music Department’s A-D-U-L-T musical comedy The 25th Annual Putnam County Spelling Bee.

Opening November 13 and playing a limited two week engagement till November 22, 2009 at the Marygrove College Theatre, The 25th Annual Putnam County Spelling Bee is sure to warm your heart, challenge your spelling skills and have you humming all the H-O-M-E!

This Tony award-winning musical is fresh off the national tour and recently closed on Broadway after nearly 1,200 performances. The 25th Annual Putnam County Spelling Bee captures the corky competition of a county spelling bee with all the usual suspects that are in the throes of puberty. From the reigning spelling champion, to the overachiever with the lisp, the overweight kid with a host of health problems, and the second alternate that never expected to compete; they all unite through their love of spelling. Originally produced on Broadway by David Stone, James L. Nederlander, Barbara Whitman, Patrick Catullo, Barrington Stage Company, Second Stage Theatre, the “Spelling Bee” is recommended for theatregoers 13 and over for its adult content.

In each performance of The 25th Annual Putnam County Spelling four different audience volunteers will be chosen to participate in the actual spelling bee live on stage making each performance unique! Volunteer spellers are encouraged to arrive to the theatre 30 minutes prior to curtain on the day of the performance to sign up to be selected to spell.

Along with the four volunteer spellers are Darrius Washington (Detroit, MI) as Chip Tolentino, Anne C. Di Iorio (Farmington Hills, MI) as Logainne Schwartzandgrubenniere, Maxwell C. Bolton (Birmingham, MI) as Leaf Coneybear, Joel A. Frazee (Bluffton, OH) as William Barfee, Catherine Dacpano Menzies (Macomb, MI) as Marcy Park and Susan Boonenberg (Dearborn, MI) as Olive Ostrovsky. Erica Cole (Detroit, MI) as Rona Lisa Perretti and Steven Ploe (Detroit, MI) as Vice Principal Douglas Panch will monitor the Spelling Bee making sure all of the words are spelled correctly. The Spelling Bee will also feature Dez Walker (Royal Oak, MI) as Mitch Mahoney and Olive’s Dad, Angel Shakespeare (Farmington, MI) as Olive’s Mom, Rob Hammond (Troy, MI) as Carl Grubenierre, Emmanuel Carter (Inkster, MI) as Dan Schwarz and Chris Jakob (Detroit, MI) as Jesus Christ.

The 25th Annual Putnam County Spelling Bee has music and lyrics by William Finn, book by Rachel Sheinkin, conceived by Rebecca Feldman and additional material by Jay Reiss. It will be directed by Greg Grobis and musical direction by Shawn McDonald. The creative team includes David Regal (Artistic Director), Melinda Pacha (Costume Design), Mark Choinski (Scenic Design), Kathleen Lanphear (Lighting Design), Matthew Lira (Stage Manager) and Hannah Reddy (Asst. Stage Manager).

Tickets for The 25th Annual Putnam County Spelling Bee are $20 for general admission, $16 for discount admission (senior citizens, UDM and Marygrove faculty, staff, and alumni), $13 for students and $9 for UDM and Marygrove students. Please note a $3.00 service fee per order for non-subscribers.

The 25th Annual Putnam County Spelling Bee’s performances are November 13 through 22, 2009, Fridays and Saturdays at 8:00 p.m. and Sundays at 2:00 p.m. at the Marygrove Theatre on the campus of Marygrove College, 8425 W. McNichols Rd Detroit MI 48221.

The Theatre Company’s box office is located in Reno Hall on the University of Detroit Mercy campus. Hours of operation are NOON through 5:00 p.m., Tuesday through Friday. The box office will move on the day of the performance to the Marygrove Theatre and will open 45 minutes prior to curtain. For tickets, call the theatre box office at 313-993-3270 or reserve your tickets online at http://theatre.udmercy.edu.

Love and Laughs on Thursdays in Ferndale

Donald V. Calamia

Ferndale's newest hotspot is on a roll. Recently named Best Comedy Club by both Metro Times and Real Detroit Weekly, Go Comedy! Improv Theater has quickly become the region's home for quality improvisational comedy.

With unbridled enthusiasm and bucketloads of talent, Go Comedy's locally based improvisers prove time and again that every imaginable topic is subject to scrutiny, and that major laughs can be mined from the mundane to the uncomfortable - and everything in-between.

It's a philosophy that serves the theater well, especially on Thursday nights. Once filled with back-to-back, make-it-up-as-you-go improv shows, Go Comedy! is now devoting much of the evening to original scripted comedies created by some of the area's best and brightest talent. That certainly describes the cast and creators of its very funny second effort, "Love and Other Urban Legends," that had its official premiere May 14.

A revue-style comedy, "Love and Other Urban Legends" explores the trials and tribulations of love and dating as seen through the eyes and lives of three long-time, 30-something friends who meet weekly for breakfast to catch up on each others' lives. Each is scarred from a lifetime of experience: Beautiful Liz (Anne Faba) chases all the wrong men (and could be pregnant by one of them); "big-boned" Shannon (Suzie Jacokes) settled for her geeky, unpopular high school boyfriend; and still-single Craig (Marke Sobolewski) relates to romance and relationships through his favorite movies.

As the three catch up on their most recent escapades, flashbacks reveal the defining moments of their lives - from an eighth grade dance where a clueless Shannon tries to profess her love to a totally uninterested Craig (who's still safely ensconced in the closet), to the heart-to-heart talk Craig has with his mother that reveals far more family history than he wants - or needs - to hear. And what they discover is this: that their actions in the past have serious consequences in the present, yet it's never too late to change the future.

"Love and Other Urban Legends" is yet another fine example of what Detroit's improv community does best: It tells compelling human interest stories, but from a unique and funny perspective. And while their topics and dialogue might be a bit raw or shocking to those weaned on the more polished or cerebral works of established mainstream playwrights, comedies such as this offer a much-needed platform to a street-level generation of young and energetic artists. They, too, have equally important things to say - particularly about their lives in the turbulent 21st century - and as a result, some of the most creative, innovative and refreshing (although rarely the slickest) works in the area are happening these days on the stages of theaters such as Go Comedy!

The script, written by Faba and Jacokes with Sobolewski, calls upon all three actors to play multiple roles. While each is fine with their primary role, Jacokes, a graduate of Wayne State's theater program, is especially skilled at creating believable secondary characters, most notably as Jack, Liz's undesirable boyfriend. And a powerful scene in which Shannon and her soon-to-be ex-husband finally have an honest discussion proves her range and versatility as an actress.


http://www.musicalimprov.com/

The holiday season is traditionally a hectic time for musicians, scrambling to cover the wealth of available gigs.

I did a lot of piano playing as usual, and this time I also got a job writing music for Marc Warzecha’s ”Kwame a River: the Chronicles of Detroit’s Hip-Hop Mayor.” The show is a satirical look at Kwame Kilpatrick’s colorful reign as mayor. Marc Warzecha wrote the book and lyrics, and in November he asked me to be the composer.

Rehearsals began on December 15, 2008 and the show opened on New Year’s Eve.

The Detroit Free Press describes it as:
“show boasts witty writing, gifted cast … a LOL funny overview of the past decade in Detroit politics, sparked by clever writing and a talented, homegrown, six-person cast.”

Donald V. Calamia with Encore Michigan writes:
“… one of the sharpest and most incisive satires to appear on The Second City stage in ages!…”

SHOW DETAILS:

Cast:
Renell Michael White, Jenaya Jones Reynolds, Jason Echols, Connell Brown Jr., Amise, Sharon Brooks.

The Second City, 42705 Grand River Ave., Novi.

Wednesday, Friday, Saturday & Sunday through March 22. Tickets: $15-$20.

For information: 248-348-4448 or Ticket Master

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