Toby Barlow and Sarah Cox are part of Write A House, a project whose goal is to acquire houses and give them to writers. CreditFabrizio Costantini for The New York Times


The message implicit in the prizewinning documentaries “Detropia” and “Searching for Sugar Man,” in Detroit’s declaration of bankruptcy in 2013 — in even a casual drive along Gratiot Avenue, past mile after mile of burned-out or boarded-up houses and stores — is that Detroit is in a pitiable state.

Yet when Toby Barlow reflects on Detroit, his adopted hometown, what he describes is potential, not pity — cheap real estate being the major reason.

“It’s fun to be here and be a part of those things that are re-emerging,” says Mr. Barlow, creative director at the advertising agency Team Detroit. “There are just a wealth of things that don’t exist in Detroit — and should.”

To create those things in the Motor City, Mr. Barlow, 48, who moved from New York to work on a Ford Motor account and stayed, has become an entrepreneur. He has opened a design store in Midtown, founded a nonprofit at Eastern Market that trains people in letterpress printing, and plans to open a restaurant in Corktown soon.

He has even found time to publish two novels since moving to Detroit from Brooklyn seven years ago. But his newest, headline-grabbing venture — with Sarah Cox, his partner in the project and another Brooklyn transplant — is one that aims to revitalize the city’s art community and potentially be a model for post-blight Detroit.

The project is called Write A House, and it is giving free houses to writers.

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